All News
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After studying at Oxford for almost a year, Lucas Jonathan Wang Zheng ’23 is returning to Hamilton with a newfound love for research and a nearly completed Emerson project that focuses on the affordability of musical education among middle-class, late Victorian-era English women. He hopes that his findings will help fill the gap in economic and social historical musicology.
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The existential themes of love, death, and time were explored in the AI-scripted and human-performed musical production Channelers, an interdisciplinary art project funded by the Dietrich Inchworm Grant and headed by Assistant Professor of Digital Arts Anna Huff.
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Neuroscience, Dance, Mathematics, Music. Recent graduates Toscana Ogihara ’22 and Anthony Christiana ’22 took this unlikely combination of majors and collaborated on creating an original score for Ogihara’s dance thesis.
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At his current internship at Kingsize Soundlabs, a small recording studio in Los Angeles, Julian Arky ’25 is learning how recording in a studio works and the various equipment and processes involved.
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Lydia Hamessley, the Eugene M. Tobin Distinguished Professor of Music, presented “Who Gets Played? Women in Country Music – Then and Now” in a virtual lecture at Green Mountain Academy for Lifelong Learning.
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Lydia Hamessley, the Eugene M. Tobin Distinguished Professor of Music, recently contributed an essay to the Library of Congress National Recording Registry website.
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Lecturer in Music Ubaldo Valli recently tied for third place in the Orchestral Programming, College/University Division of The American Prize National Nonprofit Competitions in the Performing Arts for 2021-22.
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Meandering through Hamilton’s Root Glen with nothing but a pair of headphones and a phone, you find yourself on a journey through the intertwining of music and nature.
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Hamilton welcomed 51 new faculty members including eight new tenure-track in addition to visiting professors, lecturers, and teaching fellows for the 2021-22 academic year. The College is in the midst of a 10-year period, begun in 2015, during which nearly half of its faculty will reach average retirement age.
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The July-September issue of The Nashville Musician features a review of Unlikely Angel: The Songs of Dolly Parton by Professor of Music Lydia Hamessley. The book was published last year by the University of Illinois Press.
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