
Rand Carter
Rand Carter wrote a book about Karl Friedrich Schinkel and has written three guidebooks in the Landmarks Society of Greater Utica series.
As part of your studies you may work as a docent or help with an exhibit at the College’s Wellin Museum of Art, an acclaimed facility. With guidance from your professors, you may secure an internship at the nearby Munson-Williams-Proctor Arts Institute, home to an important American art collection, or in a great art city such as New York or Boston.
Art history at Hamilton focuses on understanding the rich cultural and historical contexts in which art is created and experienced. Coursework covers a range of periods, cultures and critical approaches. The department’s links to Hamilton programs in history and culture will encourage students to make connections to other fields of critical inquiry.
Hamilton is just one of those places that is really special. Everyone there is just so motivated and into their own thing, and they get you excited about it as well.
Teddy Altman ’15 — art history major
Students may choose to explore not only the European-American tradition, but Chinese and Japanese art and the arts of the Islamic and Buddhist traditions. Other courses, such as museum studies, women in art and contemporary critical theory, are organized around a particular theme.
Rand Carter wrote a book about Karl Friedrich Schinkel and has written three guidebooks in the Landmarks Society of Greater Utica series.
Brigit Ferguson focuses on the history of art and architecture, and medieval art and architecture.
Steve Goldberg, who earned a doctorate from the University of Michigan, specializes in the history of Chinese art.
Named an Academy Scholar by the Academy of Motion Pictures Arts and Sciences in 2012, Scott MacDonald is the author of 17 books.
John McEnroe teaches courses in classical art, Renaissance art, medieval art and critical theory.
Deborah Pokinski is working on a study of the images of women in the work of American artist William McGregor Paxton.
A general introduction to the wide world of cinema and cinema studies, focusing on crucial films from many cinematic traditions. Topics include the evolution of film from earlier forms of motion picture, the articulation and exploitation of a narrative language for cinema, the development of typical commercial genres, and the appearance of a variety of forms of critical cinema. Focuses on basic film terminology, with the cinematic apparatus and ongoing theoretical conversation about cinema and its audience.
View All CoursesA writing-intensive course designed to introduce students to ways of critically evaluating differing viewpoints on the meaning and social significance of art. Writing assignments provide opportunities to engage students in a critical examination of the power of images to promote certain social values and to shape viewers'' understanding of themselves, their relations to others, and to the world around them. Writing-intensive. Proseminar.
View All CoursesHow do you read images with(in) books? Can images persuade, seduce, or even lead the narrative astray? Drawing from the works on text and image from Visual Culture scholars, this interdisciplinary course focuses on visual textuality—the ‘book’ as a visible object of cultural consumption and production in the West and Mediterranean. Students will undertake the task of understanding and analyzing this multifaceted art form by examining illuminated manuscripts, woodcuts, printed texts, and illustrations (Duc de Berry, Goya, Max Ernst, Edward Gorey, Orhan Pamuk).
View All CoursesIn Reading Comics, Douglas Wolk states “The cheap way of referring to them is “comics” or “comic books”; the fancy way is “graphic novels”. Erasing these common prejudices, this class reinforces that comics is a sophisticated and complex medium that bears close affinities with art, film, and literature. This is an introductory study of comics across cultures and within global contexts—Tintin, Astro Boy, Wonder Woman, Watchmen and others—one that emphasizes visual narrative storytelling as well as the socio-political and visual trends that have shaped the powerful creative industry of comics.
View All CoursesA Summer at The Frick and a Plan for the Future
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